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t.e. 233 2m2 flowerfield
carole baijings
limited edition of 7 + 3 artist proof

In almost all cultures, flowers have become synonymous with our understanding of beauty and elegance - even the simplest of bouquets can bring joy to our domestic interior. The symbolic and meaningful role that flowers play in society has always fascinated Carole. Vibrantly blooming flowers tell a story of appreciation and admiration without the need for words. The different phases of a flower’s life - from awakening green buds to dried-out petals and everything in between - are the starting point for this project. The ready-made flower field shows a series of experiments that reflect Baijings inspirational universe, built from a variety of sources.

t.e. 233read more

t.e. 162waddensea herbaria, large

In early 2012, Kolk & Kusters began to study the landscape of the Wadden Sea and translate their findings into a series of works. The ‘Waddenzee Herbaria’ is one of these works, and it represents pieces of seaweed drifting in the water as if frozen in time.

“We found the stranded pieces of seaweed very poetic. They’re remains of life from a mysterious world below the water’s surface. We’d find the weeds drifting in the surf, partly revealed, as the muddy water blurs the full sight, creating a mysterious and romantic image. The original pieces consisted of only seaweed, but we wanted to add a wider variety of life traces in the 2020 version. Walking the coastline, you’ll find feathers of the many birds of migration, as well as fishing lines, nets, recreational waste, and many more remains of the human presence at sea. Still today, a lot of waste from the 2019 container spill of MSC ZOE remains in the water, as well as many shipwrecks. We found that adding different types of traces to the work made it more honest as well as more romantic. The Wadden Sea is not just a place of beauty and mystery, it’s a place of life and death, origin and waste. A landscape that is raw, rough, and sincere, ironically situated in one of the most cultivated areas in the world.”

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t.e. 161waddensea herbaria, medium

In early 2012, Kolk & Kusters began to study the landscape of the Wadden Sea and translate their findings into a series of works. The ‘Waddenzee Herbaria’ is one of these works, and it represents pieces of seaweed drifting in the water as if frozen in time.

“We found the stranded pieces of seaweed very poetic. They’re remains of life from a mysterious world below the water’s surface. We’d find the weeds drifting in the surf, partly revealed, as the muddy water blurs the full sight, creating a mysterious and romantic image. The original pieces consisted of only seaweed, but we wanted to add a wider variety of life traces in the 2020 version. Walking the coastline, you’ll find feathers of the many birds of migration, as well as fishing lines, nets, recreational waste, and many more remains of the human presence at sea. Still today, a lot of waste from the 2019 container spill of MSC ZOE remains in the water, as well as many shipwrecks. We found that adding different types of traces to the work made it more honest as well as more romantic. The Wadden Sea is not just a place of beauty and mystery, it’s a place of life and death, origin and waste. A landscape that is raw, rough, and sincere, ironically situated in one of the most cultivated areas in the world.”

t.e. 161read more

t.e. 160herbarium, large

The herbariums from Studio Maarten Kolk and Guus Kusters originate from their own vegetable garden. "Firstly the vegetable garden was a study object, but increasingly we saw vegetables as a material. As such we wanted to treasure the garden we had worked in for a year, and represent it on a 1:1 scale. Furthermore we wanted to say something about it from a design point of view. By pressing and drying the plants and as such conserving them, you can – so to say – lengthen the growing process of the plant.

The herbariums consist of many layers of fabric with plants on top. Pressed between a sheet of glass using wooden clamp a graphic image emerges, which leans against the wall. Together the herbarium pieces form a greyed and abstract translation of the vegetable garden.”

t.e. 160read more

t.e. 159herbarium, medium

The herbariums from Studio Maarten Kolk and Guus Kusters originate from their own vegetable garden. "Firstly the vegetable garden was a study object, but increasingly we saw vegetables as a material. As such we wanted to treasure the garden we had worked in for a year, and represent it on a 1:1 scale. Furthermore we wanted to say something about it from a design point of view. By pressing and drying the plants and as such conserving them, you can – so to say – lengthen the growing process of the plant.

The herbariums consist of many layers of fabric with plants on top. Pressed between a sheet of glass using wooden clamp a graphic image emerges, which leans against the wall. Together the herbarium pieces form a greyed and abstract translation of the vegetable garden.”

t.e. 159read more